Excellent 21st century poetry with Jean Arno? Jean Arno is an influential artist from the artistic group, Astrée. Primarily known for his poetry and philosophical aphorisms, he defends the idea that man is, in essence, a creator. Shaping ‘the inextinguishable fire of life’ thus makes up the sacred mission of man, as a poet. He stands alongside those who continually battle against the invasive and deadly forces of contempt for the world and for life, and alongside those who put their creative forces to the service of the highest affirmation of life, those who believe that ‘the impossible can only ever occur by attempting it’. Read additional information at Jean Arno.
Everything that prevents the affirmation of the highest life and diminishes the power of being is criticized with passionate ardour: the temptation of fame and glory; the escape into entertainment and artificial paradises; the resignation and capitulation of thought in the face of today’s immense problems; the standardization of the spirit in the paradigm of common judgment; the passivity or the boredom-murderer who justifies the existence of reality TV, for example: “Crowds sate their hunger / Like hyenas seek revenge / On the torments and the terror / On the tears and blood of men”.
The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.
What forms will the arts take in the digital universes now commonly called the Metaverse? NFTs (non-fungible token) artwork, protected by unique numbers, is now unequivocally the future of the arts. For example, suppose the punk-geek universe dominated the NFT art market in the 90s and 2000s with its video game, comics, manga heroes, heroic fantasy, and science fiction. In that case, it is now competing with artists who produce the new art of the 21st century. Such art includes satirism like Bansky’s iconic street art, with its strong criticism of capitalism and mass public manipulation at the hands of politicians and the media.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. Read more details on Jean Arno.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”