Premium recommendations for production companies in 2024 by GlobalTalentNetwork.com: Therefore, the actual value of top talent is far more significant than most organizations realize. Far too many companies promote that “their people are their most valuable asset” yet do nothing differently to attract top talent. There is a business case for the attraction and retention of top talent, which is why every organization should make it more of a priority. Some companies will say that getting top talent is difficult and competitive, as it should be considering its value, which is why companies look to Self Management Group as their strategic recruitment partner. Keep these findings in mind the next time you “settle” for an average candidate rather than going the extra mile to find a Golden Eagle. See more info recruitment management software.
GlobalTalentNetwork.com recommendations for talent firms : An open house introduces clients to your models up close. In addition to planning the party side of an open house, with refreshments and material you plan to hand out, prepare your models for this event. Involve the models in marketing your business. Each model’s agent should Instruct the model in professional behavior and how to work the room. The owner should encourage everyone to get to know potential clients and make the guests feel at ease. An open house should be a fun event that allows clients in the community the opportunity to get to know you, your models and your agency.
Do your homework. Every franchised SAG-AFTRA talent agency has a website. Read what they’ve written about their agency, then look at the actors they represent. Do you see anyone who looks like your “type?” If you can, look at that actor’s resume and see where they have trained, what theatres they have worked at, television shows they have booked, notice their special skills. This’ll give you an idea of the kind of actors the agency has already responded to. Find extra info https://globaltalentnetwork.com/.
You can also check out GlobalTalentNetwork’s online directory of agents and managers, or pull a list of franchised agents from SAG-AFTRA. Although there are certainly reputable agents who are not SAG-AFTRA franchised, it’s easier to check out those who are—plus, they’re accountable to a supervising entity. Research your candidates. Determine how many agents work for the agency, where the agency is located, how long the agency has been in business, what their submission guidelines are, who else they represent, etc. GlobalTalentNetwork’s Call Sheet includes a lot of this information, and you can check out an agency’s website for additional context. And don’t forget to run your list through the Better Business Bureau to see if anyone has filed claims against the agencies—this will help protect you from scam operations or disreputable agents.
One key to getting auditions is to remember that actors should see themselves as a small business, so “think about what look you are selling,” advises acting coach and Backstage Expert Matt Newton. One of his tips for figuring this out? “Write down three shows you could see yourself on. Series regular, guest star, co-star, whatever…. Watch [these shows], learn from them, observe what kind of actors they are casting. Take notes. Look up the casting director and the actors. If you are right for that show, and are trained, and they cast your type over and over, then by all means sign up for a casting director workshop to meet them in person. If you are over 50 and play ‘extraterrestrial’ roles all the time, probably don’t sign up for a soap opera casting workshop. Again, it’s all about being smart and knowing yourself.”
Talent managers handle public relations and media exposure, such as appearances on TV shows, interviews with journalists, and social media presence. A talent manager can advise career and contracts but cannot negotiate job contracts on your behalf. Talent managers can advise on income, investments, and manage the monetary flow of a client’s business. Talent managers usually have only one client and payment is either via salary or commission.
Know the character. Read the entire script beforehand to pick-up as many clues as possible. We know about a character by the following: What they say about themselves; What other characters say about them; What the playwright or screenwriter says about them. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)
To get a casting director’s attention in the audition room, be professional, come prepared, and deliver your best performance—and then don’t take it personally if they still aren’t entirely focused. Yes, it can be disheartening to put a lot of work into a piece that isn’t being received with rapt, undivided attention. But no, the casting director does not have a vendetta against you. “Remember, these people are under a lot of pressure,” says Secret Agent Man. “They have to get the job done while fielding calls from their producers, the director, the studio, the network, and guys like me who are trying to get their clients in the room. So if the casting director is eating lunch during your audition, it means he’s hungry. It doesn’t mean he doesn’t like you. That’s why it’s a mistake to read into every little moment that occurs before, during, and after your audition. That road leads to madness. And nine out of 10 times, you’ll be totally wrong.”
Once you find a list of Talent Agencies that you are interested in working with you are ready for the next step, marketing yourself as an actor. Here are the three things you need to contact potential talent agencies: Your Headshot, Your Acting Resume, A one-page cover letter. Your mission is to get a talent agent to agree to me with you in person to evaluate you as a potential client. Your headshot should capture the talent agency’s attention. Your resume should show how serious and experienced you are and your cover letter should introduce yourself. Take rejection professionally and move on with your acting career. The more agents you contact, the better your chances of finding at least one talent agent to represent you. But, remember you have to focus on making sure your agent believes in you. A casting agency is a company who hires actors and background extras to work on a production.