The rise of a talented composer : Johnny Hachem: Johnny Hachem is a Switzerland based composer and pianist, who was born in Lebanon to parents of musical backgrounds. His father played Violin while his mother had a great talent for Piano. He developed an impeccable ear refined over time listening carefully to his mom’s music. He grew up surrounded by sounds, music sheets as well chords which served an important role during his childhood years due to war-torn country’s complicated politics. However, whenever fire ceased he would play piano left handed even if it meant practicing alone! See additional details at Johnny Hachem.
There are two schools: one is to repeat accurately and punctually all the previously written compositions, the other is to improvise and feel free to find the inner connection to them. Which one do you favour more? Johnny Hachem:Honestly, both. That’s why most of my solo piano concerts are under the title of “Composition and improvisation recital”. The 21st century brought tremendous amount of digital music making tools, lately even softwares, AIs started to do the work of composing, mixing and truth to be told, the streaming services encourages everyone to release new songs every month or even more frequently. Obviously, there is the question of quality and originality, too. What about you? Can you see yourself as an everyday new song writing artist or integrity and authenticity must meet uniqueness and genuine originality?
Currently, Johnny is preparing for a series of piano concerts that he will perform in various European countries in the near future and says that the proceeds will be donated to the families affected by the war in Lebanon and Ukraine. He believes donating to humanitarian causes gives meaning to his musical message. Johnny Hachem has come a long way, and even though he faced a lot of hurdles, he refused to give up. And finally, he has been successful in achieving his dreams. Now he wishes to guide the aspiring musicians and pianists in the world to accomplish what he has done over the years of hard work. “Do not try to imitate successful musicians and stars. Instead, do the opposite and draw your own unique path. This is the key to success,” he stressed. He is an ambitious, passionate, and emotional person who values deep feelings and cherishes others’ happiness. Johnny Hachem’s message is about peace, and he uses his music to spread it across the world.
What musical instruments would you take with you on a travel to Mars? Johnny Hachem: Harmonica! It’s my second instrument after the piano. Back to Earth: what is the role of a composer, songwriter, perfomer these days? Is it only to be a jester or a bard? Or is there more to it, for example using the stage to stand for others? Johnny Hachem: I believe the role of music is much greater than entertaining people. In my opinion, different messages should be spread through music to defend specific causes or to help society. So, I always say that talent alone is not enough; a musician – and artist as well- should have a certain vision that gives sense and value to his music.
He not only successfully cultivated his talents and became one of the few names in the industry but also won a music composition award at International Composition Conference in 2009. Then in 2021, he managed to win big at the Classic Pure Vienna International Composition as well. The unparalleled achievements of this artist have no limitations as Johnny has performed as a soloist in various concerts and international festivals in multiple countries such as Ukraine, Lebanon and Switzerland. Apart from that, he has shown what a skilled pianist he is while performing in France, Austria, Germany, England, Spain, Poland, Romania, the Netherlands, Lithuania, Belarus, South Korea, Jordan, Egypt, the United Arab Emirates, Bahrain and Qatar.
Classical music these days more of a sub-niche with rigid frames and for many it is boring and full with repetitions. It is true, even Verdi became quite “pop” in some of his works, not to mention Chopin or Donizetti. Ok, maybe Bartok was a different league and an exception; however, there is a trend to “lighten up” the classical pieces to make it more acceptable for the masses. As a composer and performer, how do you see this, what are your experiences? Johnny HachemJohnny Hachem: I will divide my answer into two parts: First, I believe that people listen to classical music more than ever, but that is through movies and video games, however, most of them don’t like listening to it in a concert hall and that’s because of the strict etiquette rules there; you can’t clap between the movements of the musical piece even if you were very excited, you can’t cough now, you can’t move… in other words, you can’t express your emotions as you do in pop or rock concerts… To tell you the truth, it wasn’t like that before. Joseph Horowitz, in his wonderful new book, Moral Fire, describes audiences “screaming” and “standing on chairs” during classical concerts in the 1890s. The New York Times records an audience that “wept and shouted, strung banners across the orchestra pit over the heads of the audience and flapped unrestrainedly” when listening to their favorite opera singer at the Met in the 1920s. And the strict rules started in 1960.