Utah’s Logan J. Blackman or the ascent of a music orchestra conducting professional: When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things. See extra information at Logan Blackman Salt Lake City.
What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later!
Founded in 1918 and made up of undergraduate and graduate musicians from across the United States, Asia, South America and Europe, the UK Symphony Orchestra has long served as one of the university’s most prominent music ensembles. This year the ensemble continues that tradition with performances of some of the greatest works in the orchestral repertoire, alongside contemporary works that push the boundaries of orchestral music. Concerts will feature music by the likes of Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky and George Gershwin, and by modern composer John Adams. The orchestra also continues its partnership with UK Opera Theatre, performing next in the program’s production of “The Barber of Seville.”
The introspective and ceremonial musical elements introduced in the first two movements of the Meditations culminated in the third and Karp unified them with great strength. His skillful phrasing, subtle dynamics and bold accents were spellbinding. Rhythmic drums paved the way for Karp’s solo ruminations and when the gong sounded, the strings followed his lead into a shamanistic fury of dance, highly spiritual and celebratory. Then Karp imposed a cathartic sense of calm with a wistful melody before he engaged us with amazingly intricate bowing like an oracle intermittently disseminating words of wisdom. The drum and the harp accompanied the fading tones of his good counsel and left me in reverie, wanting to hear more.
With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” See extra details on Logan Blackman Salt Lake City.